Prelude Dance
Ensemble: What was your dance experience like before Prelude?
Sarah Mitchell: I
have been dancing since I can remember. I danced on-and-off in elementary
school and then began non-stop in fifth grade, joining the Decatur City Dance
Company in eighth grade and added my high school dance company sophomore year.
So, I was dancing AT LEAST once a day after that, usually twice. It was a huge
part of my life. I got my classical ballet and jazz from DCD and contemporary
from visiting choreographers in my high school.
PDE: Dance has
stayed a big part of your life, it seems…you’re of course dedicated to Prelude,
but you’re also always watching dance videos (a number of which you regularly
share with us on our Facebook group). Any favorite videos?
SM: Haha, I love
this question. I feel a compulsion to share any dance videos that I feel are
either really well danced, choreographed, or both. I follow a lot of
choreographers so I’m always sharing, but I think I’ve shared a good deal of
Kyle Hanagami’s choreography. It’s pretty funny to me since most of his work is
hip-hop but I think that really well executed hip-hop can be really wonderful
to watch and I’m always eager to show Prelude since I know that, as dancers,
they will appreciate how well these dancers in the video can come together.
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Photoshoot for the Spring 2013 show, "Lost and Found" |
PDE: Following a
lot of choreographers makes sense, as you’re quite the choreographer yourself! If
you could choose anyone to choreograph with, who would it be and why?
SM: This is
really difficult. People might judge me for choosing a choreographer from So
You Think You Can Dance, but I absolutely love how Stacey Tookey choreographs
and can make the most beautiful shapes with people’s bodies! I would love to
work with her. She also just seems really nice! Haha, but mostly the lines
thing. She makes great lines.
PDE: What
typically inspires you and your choreography? Will you discuss your
choreographic process a little bit?
![]() |
Leading rehearsal for her Opener piece, "Dust," Fall 2013 |
SM: Sometimes a
song is all I need to see a completed piece, but the dances that I don’t get
tired of choreographing are the ones that have some sort of meaning behind
them. I can get really tired of listening to one song over and over again, but
the driving force behind it keeps me going, and it means more to me if there’s
a feeling that goes with it. It can be really satisfying to get your emotions
or feelings out there in a piece if it’s done well.
PDE: You’ve
choreographed a number of Opener/Closer pieces that incorporate the whole
ensemble. What motivates or inspires you to choreograph these big group pieces,
and what are some of the challenges or benefits of doing them?
SM: I like doing
Opener/Closer pieces because I think that choreographing for a range of
abilities is really a fun challenge. My goal is always to make everyone look
good. I try to never make anyone do something they don’t feel comfortable with.
It’s a challenge because it’s so many people! But I love working with everyone
in Prelude, though, and making Mondays/Wednesdays as relaxed (and productive)
as possible.
PDE: What is your favorite dance that you’ve choreographed?
SM: “These Arms of Mine” or “17” or “The Winner Is.” They all represent different parts of
my time with Prelude and different times in my life in general.
PDE: What’re your
top 3 favorite dances you’ve performed with Prelude?
![]() |
The company after Sarah's first show, Spring 2011 |
SM: Wow, I am so
unsure! I really liked the duet with Ashleigh (“17”) and Grace’s from last
semester (“Epilogue”) and I will let the third represent all of them because I can’t even begin to
pick just three.
PDE: What’s your
favorite dance performance you’ve been to while at UGA?
SM: I saw
Pilobolus recently when their traveling company came to UGA. It was such a
great reminder of how our bodies can be used as tools/instruments as well as
how powerful we are. It was really dynamic and impressive.
PDE: What are
some of your favorite Prelude memories?
SM: Probably
rehearsals, after an hour or more when we all start getting really tired and
silly. It’s a fun group to be with even when you really want to go home.
PDE: What’s your
proudest accomplishment in Prelude?
SM: Any dance
I’ve choreographed. Each one has its own challenges. So, at the end, each one
feels like a new challenge completed.
PDE: What’s your
favorite show that you’ve been involved in with Prelude?
SM: Each show is
different, but usually the shows when I’m most involved. Last semester I was
only in about three dances because I was an apprentice member and I felt so
detached! I’m so glad I became a full member again for my last semester!
![]() |
Performing "17" with Ashleigh Starnes, Spring 2012 |
PDE: How do you
feel about this semester being your last Prelude show?
SM: I am having
some very mixed feelings! I am so excited because I’m in as many dances as
possible but I also tried to choreograph as much as possible because I don’t
know when I’ll get to put my choreography in a performance again! I think it
should be a great show, though! At least I’m ending on a good note, for sure.
PDE: What will
you miss most about Prelude?
SM: I’ll miss the
relaxed and supportive atmosphere and I will definitely miss being able to
choreograph. It’s such a good outlet for me and it feels really constructive to
make something, so I don’t think I’ll stop even if I just choreograph in my
room. However, I won’t have the awesome Prelude dancers as my instruments
anymore!
PDE: What do you
think Prelude contributes to UGA as a whole?
SM: As far as I
can tell, Prelude is the best dance community anyone can find who doesn’t want
to major in dance. You still get to have dance be part of your weekly routine
and learn about other people’s dancing experience. It’s a really supportive
environment and so so fun!
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Photoshoot for the program for the Spring 2012 show, "Love, Dance, Swag" |
Sarah will graduate in May with a degree in Anthropology, a
minor in Spanish, and a certificate in Global Health. She will be attending
graduate school to earn a Master’s of Public Health. She plans on continuing to
dance, even if it just means taking classes, as she “can’t really imagine
feeling complete without having some aspect of dance as part of my routine.”
Sarah, we will miss you and all you’ve brought to the
company the past few years. Good luck this weekend!
Be sure to see Sarah and the rest of our seniors in their
last show, “Compass,” April 13 at the East Athens Educational Dance Center.
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